Fast Breaks: Lakers-Jazz, Game 4

After looking vulnerable in their first-round series against the Thunder, the Los Angeles Lakers left little doubt about their elite level of play after thoroughly dominating the Utah Jazz in their Western semifinal series. With Kobe Bryant and Pau Gasol looking virtually unstoppable, the Lakers swept the undersized Jazz out of the playoffs in four games with a 111-96 victory in Salt Lake City, setting up a conference final with the Phoenix Suns.
1. The Lakers were just better. Here is the thing that stood out more than anything in this mismatched series: While the Jazz have to run a series of cuts and screens to get their players open shots, the Lakers can rely on the one-on-one skills of Bryant and Gasol to get easy baskets -- which ultimately opens up opportunities for other players. Eventually, the mental strain from that wears a team out, and the Jazz simply could not overcome that obvious shortcoming. Bryant scored at will en route to 32 points, the fourth game in which he went for at least 30, and Gasol overpowered Carlos Boozer and Paul Millsap around the basket, flipping in a myriad of different shots with either hand to finish with 33 points and 14 rebounds. After the game, Bryant credited his production to being healthy, which can only improve with a week off before the Lakers host the Suns in Game 1.
2. Jazz have to answer some questions. One has to wonder where exactly the Jazz would be today had they won the final game of the regular season, losing to Phoenix and dropping to the No. 3 playoff seed. Perhaps, in the end, they'd still be going home early, but the Lakers are their worst matchup because of the size differential. That loss exposed the weaknesses of the team, especially Boozer, one of the more physical players in the league, but someone who continually has trouble in the paint against bigger opposition. A free agent this summer, the Jazz must determine if they want to potentially invest a maximum contract on a player who obviously is skilled but offensively diminutive for his position come the postseason. Utah has a history of losing in the playoffs to the Lakers, and that's not likely to change as long as Gasol and Andrew Bynum are patrolling the Lakers' frontcourt, or Bryant remains on the roster. Still, there is some question whether Millsap is ready to be an everyday power forward for Utah, which gets a little relief because it has New York's first-round pick, likely among the top 10.
3. Deron Williams is blossoming. As this series wore on, you could see Williams, arguably the best all-around point guard in the game today, understand that he has to be more aggressive to carry his team. That recognition is a positive for Utah fans. The issue in this series: Williams is not yet able to carry his team in the same fashion that Bryant can and did -- and what made Bryant's dominance so refreshing was his no-nonsense, calm and efficient evisceration of Utah's defense. As he grows, Williams will grasp what it means to carry his team in a controlled manner. But the first step is recognizing the need, which he did.
4. Derek Fisher comes up big again. To Utah's credit, it did not lay down in the same fashion as the Atlanta Hawks (against Orlando in Round 2) when trailing by 22 in the first half. The Jazz came out even more determined in the second half and actually cut the Lakers' lead to 69-65, at which point Fisher made a few heady plays: First, Fisher drew two defenders to him and made a no-look pass to Gasol for an easy basket that pushed the lead to six. And then Fisher drew an offensive foul on Williams --- just one of the wily plays that Fisher used to frustrate Williams throughout the series and Game 4, in particular. The Utah fans' passion for their team is admirable, to be sure. But for them to boo Fisher for departing Utah to get better care for his sick daughter, and to suggest Fisher used his daughter's illness as a vehicle for that departure, is pretty unconscionable. Give credit where credit is due: Fisher is one of the best postseason performers in the history of the game.
5. Lakers look ahead to Suns. On paper, the Lakers overmatch the Suns as they did the Jazz. Phoenix does not really have anybody to guard Bryant, the Suns don't have the size to match up with Los Angeles and Steve Nash is a good assignment for Fisher. But this is not the same Suns team from the regular season, evidenced by their four-game dismantling of the Spurs. Something has clicked with Phoenix that makes it dangerous -- and makes this a compelling matchup for the conference finals.look at yourself
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The life and times of musical legend Lena Horne

Over a career spanning decades of social change andturbulence, Lena Horne, who died Sunday at 92,
helped break down barriers for generations of performers, even as she weathered her own storms. USA TODAY's Elysa Gardner and Robyn Abzug trace Horne's life.
APPRECIATION: And more photos of Lena Horne
June 30, 1917: Lena Mary Calhoun Horne is born in Brooklyn, N.Y.
1933: At 16, Horne is hired as a dancer by Harlem's famous Cotton Club. While singing with Charlie Barnet's white orchestra, she's spotted by an MGM talent scout and becomes the first black actress signed to a long-term contract.
1938: The singer makes her Hollywood debut in The Duke Is Tops. She refuses to pass as white, despite her light coloring. Her roles are often shot so that they can be easily cut from copies distributed to the South.
1943: Shoots Cabin in the Sky, an all-black musical, and signature film Stormy Weather. She's the USA's highest-paid black actor — and a champion of civil rights for refusing to play to segregated audiences while entertaining the troops.
1947: Weds Lennie Hayton, a white musical arranger. Their marriage triggers hate mail and threats.
1950s: Lands on the anti-Communist blacklist because of her friendship with Paul Robeson.
bum Lena Horne at the Waldorf Astoria. Joins the cast of the controversial Broadway musical Jamaica as Calypso, for which she's nominated for a Tony Award.
1959: Horne and Harry Belafonte release their album Porgy and Bess.
1963: Participates in the famous March on Washington. She performs at rallies all over the country for the National Council for Negro Women and speaks on behalf of the NAACP.
1978: Returns to film for final time as Glinda the Good Witch in The Wiz with Diana Ross and Michael Jackson.
1980: Receives an honorary doctorate from Howard University.
1981: Launches her one-woman Broadway show, Lena Horne: The Lady and Her Music. She earns a special Tony Award, a New York Drama Critics' Circle Award and a Drama Desk Award. The live soundtrack also wins Horne a 1982 Grammy for female pop vocal.
1986: Publishes autobiography, Lena.
1989: Wins a lifetime achievement Grammy.
1994: Makes her final appearances at The Supper Club in New York and Carnegie Hall. A live Supper Club recording released in 1995 wins a Grammy for best jazz vocal album.
1998: Releases her album Being Myself and all but retires.
2006: Blue Note releases Seasons of a Life, a Horne album of previously unreleased or rare tracks.
2009: Author James Gavin wins acclaim for Stormy Weather: A Life of Lena Horne, a biography charting Horne's complicated paths.
May 9, 2010: Horne dies in New York.
May 18, 2010: Verve Records and Hip-O Select will release Lena Horne Sings: The MGM Singles Collection, featuring recordings from the late '40s, co-produced and with liner notes by Gavin.software homework
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